limited edition clear blue vinyl. tracks taken from the digital album >all ya breakz<. includes tracklist-sticker and flyer, but no poster anymore.

>the bay< is the electro quartets third single from the latest release >the english riviera<, following the release of both >she wants< and >the look<. the third studio release from the electronic stars >the english riviera< was released last april, and has since received a mass of critical acclaim from all corners of the industry. popular websites such as nme gave the latest release a rating of 9/10, with drowned in sound offering the same rating. now, fresh back from their recently sold out uk tour, the band are preparing to release the third single from the critically acclaimed album in >the bay<. defined as being one of the highlights taken from a fantastic album, >the bay< would be well placed as a future summer dancefloor classic.

das dritte album der schwedischen band little dragon um die koop-sängerin yukimi nagano, ritual union , vereinigt die qualitäten der beiden vorgänger: klassisches songwriting trifft auf verführerisch-coole produktion, experimenteller late-night-charme auf electro-pop-ohrwürmer, verträumt-entspannte parts wechseln sich ab mit uptempo-dance-beats. diese einzigartige mischung überzeugt selbstverständlich wie von selbst, und so zählen little dragon prominente kollegen wie big boi (outkast), questlove (the roots), dj shadow, david andrew sitek (tv on the radio) und damon albarn zu ihren fans, letzterer verpflichtete das quartett sogar für sein plastic beach album und als support für die welttournee seiner gorillaz.

>stone coal white< ist die erste veröffentlichung des dj shadow labels cali-tex seit über dreieinhalb jahren. das trio aus dayton, ohio veröffentlichte lediglich zwei singles in kleinstauflagen und war nur absoluten kennern bekannt. neben den 4 songs der beiden singles sind 4 weitere, bislang unveröffentliche songs enthalten, die in einem keller eines verlassenen motoradgangverstecks gefunden wurden. auf den songs verarbeitet die band vietnam albträume, grass, lsd, armut, gewalt und sexualität. das album enthält coverversionen von >hell below< (curtis mayfield) und >aint no sunshine< (bill withers).

hris liebing and the clr team are very exited about the upcoming release of clr 049. the engine ep by black asteroid is the brand-new project of an artist who has been an unconventional techno innovator and a big inspiration for many years. black asteroid is the brainchild of bryan black, who started his career as a sound designer for prince. while working with prince at paisley park studios, bryan learned and honed sound and production skills, which inspired him to start his own band. he moved to london england and co-founded a band called motor. their first demo was quickly signed to novamute, and after 2 singles, motor were catapulted to the top of the techno world, sharing stages with daft punk and kraftwerk at major festivals, and later embarking on a world tour supporting depeche mode in 2009. in april 2011, bryan decided to start a new project by the name of black asteroid, to showcase an exciting new sound and to re-capture the techno world once more

next up on tirk we have a brand new act, named free school. hailing from birmingham, shoegaze duo andy and steve bring the sunny balearic sounds of summer and the icy kosmiche sounds of winter all in one sweeping hit. free school are maximalist and minimalist all at once.
the band like to compare themselves to caribou, orbital, hot chip, fourtet, and pet shop boys, all pretty good touchstones in our eyes, however it was the sheer gloriousness of their music that had us hooked.
their debut ep features the uplifting and euphoric >ranting and raving< and the 9 minute sound-movie >lemon<. remixes come from richard norris and his time and space machine project (we are going to have to put this guy on the payroll soon) and russian ice cool customer sportloto. free school also appear live (in sheep masks no less) so watch out for them at a venue near you. their debut album is in the pipeline and already sounding good.

the boston based alternative rock band buffalo tom formed in 1986. the band around singer/ guitarist bill janovitz became one of the more popular alternative rock bands by the mid 1990s. the 1992 album let me come over was truly the great leap forward for the band, sounding richer, more imaginative, and more emotionally powerful than anything they d recorded before.

yes ... we release records. yes, its marvellous to see that journey from the spring to the sea, that spark of inspiration in an artists eye as it traverses its way to a beautifully packaged piece of 180g vinyl ... but sometimes, its also nice to remember why we started a label in the first place and to visit that dusty corner of the studio where synths, patch cables and spring reverbs lie in wait, taunting us go beyond that perfect 3am comfort zone of the 8 bar loop, hazy red/orange lights and aromatic combustibles.
in order words, heres what we did last summer ... two new ifeel studio tracks to stimulate your solar sensibilities, guest starring (via the wonders of skype) richard hawleys band, a reclusive mittle european synthesist and (lest we forget) his eccentric and slightly mad octogenarian lawyer.

chicago legend with slamming 3 tracks on vinyl

nice price deal !!! peaktime! this one definitely qualifies as a summer record. a.j. holmes is the self-titled >king of the new electric hi-life<. after moving back to london three years ago the guitarist and dj has played quite a role in the booming afrobeat scene there and formed a new band called >the hackney empire<. for the summer of seven series he contributes two remixes of tracks from the very best and xylitol that are simply made for the summertime love.

buddy holy goes ramones! summer hits ist die zweite singleauskopllung der britischen band mazes, die schon vm nme und bei radio1 abgefeiert wurde!

trio techno cover, it was just a question of time to reach the point when wayne considers himself to be the one to create a musical statement in order to show what he thinks about all the current status of some parts of the electronic dancemusic circus. he still suffers from too much so called >minimal< in his eyes and he wants back the energy he is missing on many occasions… >you know, techno without bass is like f…… without screwing him in…< some might say he s too late with this song, but thats simply wayne! in his universe the meaning of time is different to what we all would expect. anyway, he finally checked out garage band on the mac he recently >lended< from somebody he does not even know, and here we go with his first very own song. lyrics in german only and heavily inspired by one of the biggest hits from the 80ies from the german cult-formation >trio<, but to make a long story short: its waynes message that the so called minimal sound is definitely over now: >always klick and always klack, i can not tell how much it sucks...<

aah, how we have missed them! the fine young gentlemen that are channel x, two of stil vor talents most active producers of meticulously crafted and deeply energetic tech-house smash hits. and just in time for the open-air season they now come back with two very convincing pieces of dancefloor art. first up is >little symphony<, an epic space opera that takes it cues from early 90s techno and mixes it up with post-modern grooves and beats. the wide and open spaces are filled with some very hymnal string patterns that are given a final treatment with a reverbed and high-pitched vocal sample. contrast that with the rather jittery beat and a subbass as deep as the frequencies will go and you got yourself a substantially clear bit of techno that is best imagined when it is dark and only some beams of air tell you where you are. channel x do not produce, they direct and all of the sounds are their actors! on the flip things get more light-hearted and set for the daylight hours as well. >steamboat willie< is a heavily sample-orientated swinging piece of jack. the rhythm guitar lead the way on top of a clap-based loop that sets the basis for some very jazzy interpretations along the way. clarinets, trumpets, percussions, brass, effects and even some talking vocal samples are all allowed to join in this hedonistic big band that is at play. this is one for the sunshine, this is one for the smiles on the faces, this is one to feel instantly good about yourself and everything around you. two very different tracks on this ep, but both equally stand out for themselves

for the first album ever being released on ki we invited biodub, a producer/dj from the north of germany, who impressed us with his fusion of dub, techno, electronica and is a musician throughout. bringing in his experience as the drummer of instrumental band noetics and based on a minimalistic foundation, his tracks are playful in a microscopically way. in between deep bass lines and characteristic dub chords, various sounds coming from field recording sessions and sometimes also acoustic instruments, making this piece of music extremely warm and alive. biodub tries to transform visual impressions into his music. he finds most of these impressions in nature but sometimes also in machines or buildings in connection with their environment. the album is equally comfortable on the dance floor as in the living room. but you would rather enjoy his music on an open field in the nature than on your couch. the album will be released as a full 2 x12 inch lp, and cd in folded hardcover with photography, graphic and layout coming from ki s amélie kai and since it leaves so much space for interpretation, there will be a 12 inch-single with remixes of stereociti and koi.

vinyl only!! styrax records presents the last part from the serie >in loving memory<. the release come with an artwork of james marsh, former best known for collaborating with the seminal 80s band talk talk, producing all their iconic album covers. the folder is used for the acceptance of all >in loving memory< parts 1-4. as bonus the special 1 (2x12inch vinyl) with rare and classic tracks from ron trent, larry heard, herbert, isolée, reggie dokes and dj qu

>dysfunction<, hannulelauris first ep on i m a cliche goes beyond the dreamy, cosmic atmosphere of their previous releases and remixes on other eurodisco labels. the duos new sound still sends us floating but with an edgier, more toxic ride. hannu and lauri aka hannulelauri created a track for i m a cliche, a remix of botoxs hit >blue steel<. this track inspired the label to make more room for the finnish duo and bring their new music into its discography.
these two have been active figures in helsinkis club scene for quite a while, producing music together since 2006. when they crossed the borders of finland, the name of the band was pretty hard to retain but it didnt take long for all the bigwigs of modern disco to memorize it. two originals and a selection of remixes: >dysfunction< steps into the territory of deep melodic house with a classic resonance >box of box< throws around some fun rough beats toby tobias remix of dysfunction is iced with elegance and soulfulness. populettes remix of >box of box< is the new best friend of house dancers.

from now on, the duo’s ascent was constant and then lightning struck: remixes for n.e.r.d, britney spears, franz ferdinand, u2, daft punk, lenny kravitz and an ep in 2006 (” waters of nazareth “) defining the “justice sound, this famous ultra-powerful compression of pop and baroque melodies, both dark and threatening, lightning and animative, and above all the famous justice image, the cross from which an earlier version figures on the first ep. 2007 was the explosion that will turn the duo into the emblem of a whole generation: their first album “†, anticipated like the messiah, holds all the promises, and swept everything away as an epic soundtrack. “†” is more than a magnificent synthesis of our time: its potential definition. 800 000 sales worldwide and 4 years later, the album is considered as a mainstay of the 2000s puzzled and tonic, one of the few who bridged the gap from pitchfork world to mtv without losing its credibility. ++etched vinyl + 90 cm x 60 cm poster (500 are signed by the band !!!)++

hypnolove are a cult band from toulouse, in the southwest france. their first album >eurolove< included the french pop song >mademoiselle< which featured across french national radio stations, a kiss cover (i was made for loving you), a feist featuring (bitch lap lap) (but sshh, no one is allowed to mention her real name, she became famous just after recording it) and even a punk track! the album was going places. nothing short of brilliant, but alas, audiences had a hard time understanding the logic of it, which of course was simply the songs, the taste, the musicality and the talent!dj-support from tiga, busy p, steve aoki, pilooski, the magician, munk, jerry bouthier, rory phillips ...

rie lambdoll, known for electronics duo crossbred and respected among activities in variety of fields and free form unit dub magus from beirut arising from the breakup of the post hardcore band beirut5 in the search of even more inspiring sounds. 10inch split coupled with two geniuses prominent in the increasingly chaotic japanese underground has come out!

seit 2006 sind devin booze und sarah reynolds als ear pwr unterwegs. ein projekt, das von boozes instrumentierung, reynolds lyrik und dem kreativen zusammenspiel der beiden lebt. boozes ausbildung an dem von bob moog gegründeten music technology program an der universität von nordkarolina liefert das klangfundament, auf dem ear pwr errichtet wurde. mittels einiger alter synthesizer und reichlich perkussion schaffen die zwei dicht gewobene klangstrukturen. das bescherte der band nicht nur eine einladung zu dem von animal collective kuratierten atp festival in england im mai 2011, sondern auch eine us- und europatour mit ihren labelmates toro y moi. ear pwr , das zweite album des duos, wickelt die soundgespinste des 2009er-debüts weiter und offenbart dabei ein reichhaltiges set von klangkonturen. entstanden im heimischen nordkarolina ist ear pwr so freudvoll wie beruhigend, so sentimental wie neugierig.
inklusive code für freien download des albums als mp3.

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

hey is helmut erler, one half of hey-Ø-hansen, the fabulous austro-dub band from berlin that already did three releases for pingipung. in >wuzlguzl< he presents a childrens song from austria. in his original dialect he sings about the five fingers on the hand and what they have to do with the plums on the tree! the flip turns the song into a psychedelic lullaby.

the enigmatic french trio dop unleash another sonic assault of deep and visceral house music on guy gerbers supplement facts imprint with three bold and organic cuts for your sex. a dark broody and characteristically cheeky affair, your sex opens up this dop creation with a stripped back beat and looped vocal. low-end bass build up the title track to a crescendo that engulfs the senses in deep acid frequencies. this is a nod to the techno elite but fusing a new depth and sensuality to the genre, in true dop style. skipping into subtle and kinetic territory, half naked flirts with reverberating whispered vocals and crisp percussive beats. a lethargic and almost yearning record, it massages the energies of the body with a playful and soothing approach. last up paul ritch tackles a remix of the title track, elevating those throbbing bass elements to new levels with a fluttering and-high energy weapon made to hypnotise the feet, body and mind. dopis the musical summation of a 20 year long friendship between members clement aichelbaum, damien vandesande and jonathan illel, their musical relationship beginning in 1994 as the result of a rock & roll cover band formed for the french national day of music, experimenting in hip-hop, jazz, and reggae followed by various musical incarnations. in 2005 they made the transition into electronic music and last year delivered a highly regarded debut artist album on circus company, noted in the guardian newspaper as steeped not in orthodox 4/4 house and techno, but in jazz, classical, hip-hop and world music

about group is a band comprised of members of hot chip, spring heel jack and this heat. >youre no good< is taken from the album >start and complete<. the theo parrish translation showcases a super deep reworking of pure quality from the master. ashley wales is one half of spring heel jack. check! limited edition, vinyl only !

this time mr raoul k not only wants you to dance - he wants you to go crazy on the dancefloor. in his well known way he crafts a relentless groover that sends everyone on the floor into the higher state of concsciousness called trance. he layers track upon track and builds a solid grooving base…. for the balafon. a handmade percussion instrument not unlike a marimba that gives guinean music its characteristic flavor. the vocal loop on top draws you deep into the vortex of nested percussion, african melodies und thick baselines. thistrack will never let you go - like moebius band. its main theme will stay in your head for a very long time. it will shake your hips after you left the dancefloor. and it will escort you on your way home after youve left the club. maybe it even serves as a lullaby after a long night out. already tested by Âme with stunning results.

to say that matias aguayo lives in the moment would be an understatement. he thrives in the moment. one of today s most productive musicians in dance music he continues find new challenges – whether it be curating music events (most recently finding lost music and new acts from the sonoma desert of mexico for an upcoming hkw berlin series), overseeing the tremendous cómeme label imprint, and most recently joining warps favourite new york band battles as a vocalist for the lead single >ice cream<. he returns to kompakt with his first new recordings for the label since 2009s acclaimed full length >ay ay ay< – an accomplishment of its own right thanks to the fact that it was created almost entirely with samples of his voice. matias aguayo takes it back to the dance floor with what potentially could be his first obvious foray into the world of house music.

the too-cool-for-old-school house cut dont stop is the love child of the first the subs vs highbloo musical encounter, when highbloo was not part of the band yet. dont stop!

the band recorded cadenza last summer locked in a salford basement experimenting and stretching their songs into new and unexpected shapes. produced by brendan williams and phil bulleyment they’ve created an album that, whilst drawing on the eccentricities of sparks, the piano methods of steve reich and the unhinged prog-pop of the cardiacs, has at its heart a real pop pulse.

incarnations are back with an overwhelming 12 inch, just in time for the summer. remix action comes from ilya santana and his trademark spacediscopop, wareika bringing the deepness and rayko offering a shot of synth-driven discoid eighties. >meet me at midnight< is an exquisite hand-crafted pop piece, where you can clearly hear echoes of america (the band, not the continent), among many other things. it has summer written all over it and allow us to say that is the kind of song that makes you a better person.
ilya santana takes the original and drives it deep into space, without losing its amazing pop feel. wareika take over >make you mine< and bring it deeper than deep, close to maurizio, in a superb remix. and last but not least, madrids own edit maestro rayko shows us his powerful approach to the song getting the most out of his synth collection!

somewhat of a metaphor for britain, welcome to goon island is born from the great british art school tradition, the core of the band having met at art college in sothend, vivid, interesting, expansive and far-reaching, an aesthetic that seeps into everything they do from their other-worldly videos via intriguing photos to extra curricular activities such as training dogs to dance. yet such apparent frippery shouldn t disguise their uncanny ability to pen rather fine songs, as welcome to goon island attests.

nice price deal !!! with again and again, the second album from the swedish-american outfit thieves like us, the band sculpts their vintage electronic sound into honest, sentimental pop.

at fatcat we are as excited about new signings psychedelic horseshit as we were on landing animal collective and black dice 8 years back, and believe they re a similarly vital band - pushing boundaries and creating something thrilling and unique. having avidly followed the band’s outpourings over the past few years, we can now announce psychedelic horseshit s label debut. previously appearing on hip us indies woodsist and siltbreeze, their second proper full-length marks a major shift, upgrading their sound and delivering a coherent set of bustling, uptempo, hook-laden, melted outsider pop songs.
comes with code for free digital download of this album.

two tracks of dancefloor heat from melbourne underachievers - inverto! spaghetti western meets zorro on peyote with gunslinger, plus a laid-back version of metro areas super hit miura. limited edition single-sided 12, and the inverto album recorded live at the legendary toff in town band-room last year is coming soon too. btw did we already say that we became instant fans after invertos debut release with the chip e cover >its time to jack?<. try to cop a copy of that aswell!

early support by jacques renault, jon sa trinxa, disco bloodbath, dj hendrix, bottin, more to follow... hell yeah recordingss sister disco label danny was a drag king is on a roll! italian dj/producer luminodiscos music stands out from the current stagnant re-edit game, his brilliant production skills are obviously influenced by the best of the past but aimed to original purposes. new single balerama is no exception, its a midtempo balearic journey, dreamy but chunky and funky enough to get your dancefloor locked into it. coffee mugs is an exclusive smokin bonus track on the vinyl edition. luminodisco is definetely here to stay, stay tuned for more. remixes: italian indietronica band tempelhof into a kind of basic channel mood provide a pure class tripped out electronic-house remix. austrian born, london living and universal dreamer giulio dj (is it balearic, elevator people) gets fully balearic adding some pure bliss vocals (courtesy of izzy)... one for sa trinxa beach...if you know what we mean

breakin bread continue to support the specialist soul and funk scene with a release from edenheight. they are not a new band, these guys have been gigging hard all over bristol and the south west, but it is their debut vinyl release. its not just another new funk offering, the band have a tightness from all the gigs and 2 superb female vocalists that make these tracks stand out from the pack.
edenheight are a deep-groovin and original outfit with a soulful urban sound. forged in bristol, their list of influences favour more percussive styles including afro, funk, hip hop + dub, and as such dance-ability is a precedent. this standard owes as much to an evolution in the citys underground live scene as to their appreciation of high energy musicianship and production.

the band celebrated their 25th anniversary by touring the world, which started in 2002 and concluded in 2003. they recorded their show in amsterdam and released it in late 2003. music on vinyl is proud to release this album for the first time on vinyl.

nice price deal !!! lipservice are proud to welcome a new addition to their label roster. out of city are a tuscan based trio and are no strangers to the scene. having already worked with labels like eskimo and dc recordings they make a melting pot of sounds with their fingers and thumbs!
in dino storai, simone fedi and nicola lopetuso we find a band that seem to effortlessly combine synth music with disco, rock and punk, and their forthcoming lp for lipservice is a real joy to listen to from start to finish.

les freres smith - the smiths brothers - is a paris based 14 piece collective specialized in afrobeat and ethio flavoured grooves. these music smugglers are touring the french and european scenes for more than 10 years, always with the same blasting energy. well known for its explosive live interventions, the band is now releasing its first real album after various collaborations with artists such as tony allen, the souljazz orchestra, kutiman, franck biyong, or kokolo, among others. be a smith, be a smuggler, enjoy it now!

the horses come back to jazzmin with a more disco take on house music. >acid village< is a midtempo burner that combines acid, big arpeggio bassline and moody strings with a vocal that will probably encourage you to hold your hands in the air. b-side is a remix from modern disco/funk band los charlys orchestra, by adding vocals, synths and electronic percussions to the original the horses take it to another level of floor-filling. this ep announces their forthcoming album on jazzmin, release in september!

when we heard pompeya for the first time and were told they were from moscow, we were like: - what!? are you kidding? this is probably the first russian band singing in english with such a classy brit touch and male vocal being very strong and sophisticated at the same time. they jestingly describe their style as >melodramatic popular song< and >cheenese< is indeed a very dramatic piece with simple yet powerful composition and lyrics that really make big sense. the original is very well supported by a bunch of remixes each of which is unique on its own. an-2 & samos come with a warm, relaxed and funky instrumental version which is followed by a blockbuster mix from moscow disquo maestro leonid lipelis (an entirely perfect dance version of the original that could ever exist) and finally, for those few sirs and mesdames who are not yet aesthetically satisfied and who still find themselves seated while others jump and shout, here come d-pulse with their paranoid mix that gathers the thunderclouds to the full darkness and - at the end - lets the revival sunbeams break through.

this outstanding live album was also released in 1971 and was recorded at newcastle city hall. a brilliant live document of a unique and unrivalled band at the top of their game.

the official collection of all singles of the band that inspired the ramones, recorded for labels such as southern sound, atco and vanguard. this 180 gramms vinyl release includes unseen photos, linernotes and interview with johnny ramone.

forbidden friends is a new band from hutch harris, lead singer and mastermind of the thermals, portlands last great post-pop-punk-power trio. initially conceived as a way for lovers to send hidden messages in plain view (isnt there an app for that?), forbidden friends is now a legitimate, public work of art. the band is at once old fashioned (acoustic instruments, mono mixes), forward thinking (reference-less, incredibly danceable), and timeless (classic lyrical themes of love and desire.)
code for free download of this release included.

you could probably live without bad jazz, but you don t want to miss the bad jazz troupe! disregarding any kind of mindless rule – musical or otherwise – this reckless band revamps traditional rhythms and styles with modern production techniques. the bad jazz troupe brings together raw afrobeat, jazz and funk elements with the latest achievements of the electronic revolution in the world of music. the result sounds fresh and original and yet reminds one of those days when jazz was still something unruly, naughty and rebellious. what the bad jazz troupe seeks to accomplish, after all, is nothing but bad jazz in the best sense.

hypnotizing acid-ebm-electro-wave masterpiece from düsseldorf. tolouse low trax is detlef weinrich, one of the members of german band kreidler, dj and co-owner of the düsseldorf based club/bar salon des amateurs. tolouse low trax remixes noblesse obliges already fantastic >the great electrifier< into a mesmerizing and highly original blend of electronic dub and new-wave-like techno. the other three tracks are solely by the hand of tolouse low trax. his unique signature is all over it: teutonic marching beats with layers of spaced-out, dubby electronics. the perfect soundtrack for a german party in an african cocktailbar during a full eclipse in the middle of a coup d etat. fear and loathing in düsseldorf. highly original and an absolute must-have.

the miracles club is a group from portland, oregon featuring members rafael fauria, honey owens and ryan boyle. fusing elements classic chicago acid house, world music, experimental pop and contemporary dance. they have been adding a new and vibrant energy to the west coast us club scene over the last 12 months. cutters records brings us the >light of love remixes< ep which has all the makings of a mid 80s house party except on the dance floor is a giant cosmic rug to float you through space and time. >light of love< is the psychedelic piano house jam from the deepest depths of a dank dark rave cave and cut copy have reworked it into an entrancing dancefloor gem. also included is a dubbed out house mix by new yorks ever-consistent neurotic drum band. and dont sleep, because on the flip miracles club journey into classic 909 house with two versions of their jam >so hot<. it feels like the second coming of jack, but believe… its the rise of a new dawn!

nich premium edition 12inch come with maxicd big with markus kavka, dubfire, aki bergen, andre kronert, feygin, sebastian roya, secret cinema, pierce, moodymanc and many more.
dont miss the next long awaited vinyl on night drive music. this time we gave the black gold to hypnos. hypnos (deepology, urbantorque, myhouse, box music) presents now his 2nd release on night drive music. he graduated from music school in guitar, and played keyboards in a rock band for a few years. he was member of the infamous >demoscene< in poland - an unofficial and underground group of like-minded people mixing music with street graphics. the original is a never ending dream between sweet deepness and techy elements. its hard to describe the tune. just listen please! remixes are coming from pawas, subsky and stefan mallmann.

debütsingle der newcomer band aus manchester. ein großartiges musik-amalgam von einflüssen aus pavement, buzzcocks und dinosaur jr.!